LPs

A little over 4 years after "Disgrace…" and here is the next 12” from the Canadian noise clowns! This time it's a split LP with UK/USA based DEFLOWERED CUNT! Expect TOTAL NOISECORE BLURRRRR CHAOS from both!

These people aren’t strangers to the underground scene in Belgium. This band consists of the counterparts of Reproach, Travølta and Bones. The drummer is even from Bones! Expect some fastcore musically-wise not unlike ASSHOLEPARADE. The vocals are total earripping! HATE OR LOVE! Oh yeah, Hetze is dutch for something that’s fucked up or FUZZ!

One of the most important Polish Underground bands at the turn of the 80/90's. It's clear and uncompromising GrindCore/HC mix was it's main trademark. After over 30 years since the debut demo tape, first time on vinyl - all three demo tapes and 2 bonus track!!! 'Not Dead' it: I demo "Deathly Ceremonic" /1988/, II demo "Irrevocably And With No Hope"/1989/, III demo "Kill Me Cause I Can't Stop" /1990/ and bonus tracks: "Seek Sense" and "No Return" - VADER cover from "Future of the Past II - Hell in the East" LP.
Limited edition to 500 copies on black vinyl. Absolutly obligatory position in your collection!

Dutch nefarious noisemakers SUFFERING QUOTA are releasing their sophomore album titled "Life In Disgust".

The release contains an expansion on their blistering grindcore sound, seeking influences beyond and creating a rattling, crushing force that will not only go beyond the beaten path, but deconstruct it all the way through.

SUFFERING QUOTA is a grindcore band from Groningen, The Netherlands, mixing elements of crust and death metal into their sound. Through a few line-up changes on bass and vocals the band is back with a more eclectic sound, yet they managed to remain a solid live act through the years.

With this new lineup they released a split with My Minds Mine in 2017 and are ready to drop their next effort, the sophomore album "Life in Disgust" and crush stages everywhere.

There will be no warning, there will only be damage.

Anarcho-crust punks from France with female vocals and 20 years of experience on the scene. The newest album.

ABADDON - Jarocin '84 presents the first release from a vinyl series with live recordings of punk/hardcore bands that appeared at the infamous Jarocin festival in Poland in 1984. ABBADON’s performance was their second time in Jarocin. With the addition of their new singer Kiki, there was an improved sound quality in terms of dynamics and pace, and the message was even more expressive, accurate and direct than ever before. For the band, this performance opened many gates historically, and to this day is still considered among the punk crowd as one of the strongest points of Jarocin's history overall. The song "Kto?", recorded during this performance, appeared on the legendary vinyl compilation "Fala".

Slovakian grind veterans playing around since 1988 are back with the 6th full length! Furious and pissed grindcore for fans of AGATHOCLES, ROT, WARSORE, EXTREME NOISE TERROR!

37 minutes of Slovakian grindcore vs power violence/grind!

The rotten seeds of Abyssus were planted years ago via the "Monarch to the Kingdom of the Dead" EP (2012), the "Summon the Dead" EP (2014) and the splits with Nocturnal Vomit (2013), Morbider (2014) and Slaktgrav (2014), so it was about damn time to see them go the full-length route. The wait is over: "Into the Abyss" has arrived. This hyper-active Greek band formed back in 2011 pay homage to the intense, pounding and energetic Death Metal from the good old late 80´s and early 90´s, drawing their influences from such legendary acts as Obituary, Death, Viogression, Asphyx, Master, Benediction, Autopsy, Bolt Thrower, Celtic Frost and Massacre. Crammed with blood-infused yet groovy tempos, sharp yet infectious riffs, a tight rhythm section and a raspy blend of a puke and a growl for vocals, and emblazoned with some great artwork and layout by the Spanish artist Cesar Valladares, "Into the Abyss" can definitely be praised as one of the catchiest and most vibrant pieces of old-fashioned Death Metal to grace the underground in recent years. Filth, groove and heaviness, all in one, for those that need no pomposity and no modernity in their Death Metal.

12" DOUBLE BLACK VINYL HOUSED IN HEAVY GATEFOLD SLEEVE

Mysticism, magic, occult arts and rituals, all of which are driving factors behind ACHERONTAS, are also the most adequate words that can be used to describe the band's image, sound and lyrics. The band is considered as one of the leading representatives of the New Wave of Greek Black Metal, heavily influenced by the original Hellenic metal scene, retro rock (especially the 70's rock) and eastern philosophy.

ACHERONTAS was brought to life in 1996 by V.Priest and was ever since true to its internal tenets and traditions, which deemed the band as a "Magical Coven, dedicated to the Ancient Summerian Mysteries of Drakonian Blood". According to the band, "many traditions embracee these ancient sources as footprints and take form in our Void as Astral Vampirism, Hermeticism, Kabbalah, Dream Workings and Luciferian Magic". V. Priest continues, "true sorcery is not an art, it's science... in order to dare, we must know; in order to will, we must dare. We must will to possess empire and to reign we must be silent. We are real to those with eyes to see...”.

"Psychic Death - The Shattering Of Perceptions" was recorded in Grecce, Germany and UK, at the band's own studios (the "Coven’s Corridors of Wilderness"). The album was produced, mixed and mastered at Pentagram Studio by George Emmanuel (Lucifer's Child, ex-Rotting Christ). Cover artwork was prepared by Chris Undirheimar of Blood and Fire Ritual Art studio.

Second full length of this Italian band playing intense thrash metal influenced by early SEPULTURA, SUICIDAL ANGELS, VOIVOD, SLAYER!!!

The masters of pain-evoking death metal are back with a new epic. This is the band's most evolved output by far, delving into deeply stirring, poignant leads, dark shades of melancholy, while remaining stoic and powerful, as one should, in their outer demeanor. The vocalist Herostratos narrates the truth of life with a bleeding voice, for all to hear and learn, as the music enacts its harsh dramatization. For ultimately, you are accountable for your own sins and you have to die yourself, alone, to enter either heaven or hell. 'Dying Alone' is an epoch in death metal circa 2016, one that witnesses a convergence of tangible, real life emotions, portraying once again and more elaborately, extreme music with pure anguish, struggle and bitter truth.

A must have for fans of UNLEASHED, BENEDICTION, ASPHYX, BOLT THROWER, GRAVE, MORGOTH, DEICIDE, MASSACRE!

THIS ITEM IS SEALED AND RECORD IS NOT TAKEN OUT OF JACKET/COVER. IF YOU WANT WE CAN OPEN IT AND REMOVE RECORD OUT OF JACKET TO PREVENT JACKET/COVER DAMAGES DURING TRANSIT. IF NOT WE WILL NOT TAKE ANY RESPONSIBILITY FOR CONDITION OF THIS ITEM DURING TRANSIT WHEN SEALED.

BLACK VINYL SELF-RELEASED BY THE BAND. ONLY 200 COPIES MADE.

The original and founding members of Swedish/Finnish grindcore band AFGRUND, being Andy, Pat and long-time drummer Panu are back after six years with their fourth full album. "The Dystopian" was recorded, mixed and mastered by Panu Posti at Mean Seed Labs during 2017 and includes 11 songs of intense Swedish grindcore in the vein of NASUM, ROTTEN SOUND, GADGET and the likes.

The 11 track offering  was recorded by Navene Koperweis (Animals As Leaders, Animosity), Zack Alvey, Ethan Erisman and mixed and mastered by Zack Ohren (Immolation, Carnifex). Artwork was provided by Tony Kohl.
Sewerborn features 47 minutes of jaw dropping guitar playing, sickening brutality, and an unrelentingly ferocious and horrifying atmosphere that demonstrates the groups pummeling vision and song writing maturity. With Sewerborn, AHTME have proven to be an extremely exciting addition to the Unique Leader roster.

Legendary and ultra brutal Dutch Death Metal from Coevorden! Their 2nd album EGO ART was originally released by Displeased Records in 1996.

In sinister co-operation with Konqueror Records, one of Sweden's oldest Death Metal demons ALTAR is now resurrected with “Dark Domains”, spanning their short-lived but impactful career in the Swedish underground Death Metal scene.

Remastered by none other than the Lord of Swedeath Metal Dan Swanö at Unisound Studio, Sweden “Dark Domains” features entirely remastered tracks together with rare and never-before-seen band photos carefully hand-picked by the band, “Dark Domains” is the ultimate ALTAR collector's gem that every old-school Death Metal fans!!!

A masterpiece of southamerican Death Metal from the peruvian cult horde ANAL VOMIT. The demo from 1997 which was released only on cassette format back then, now finally get a re-issue on noble vinyl format, inclusive a rare 1999 rehearsal.

A cult was born in 1992 in Perú. While they were known beyond Peruvian borders- but almost exclusively inside the Americas- 10 years after their formation, LEGION OF DEATH RECORDS honored this beast with a 7" EP. European fanzines such as DESECRATION OF VIRGIN spread their name to thee a bit after the millennium. Now 26 years later, Dunkelheit Produktionen hails the very roots with a 12" re-issue of the classic third demo „Into Eternal Agony“ on lado A, and the flip-side is an unreleased rehearsal recorded in 1990- two years after the EP. It was the demo that marked a different direction in terms of the band's sound; the first two demos having the violent approach that ANAL VOMIT kept throughout the years- charm of a Gatling gun and more evident traces of Grindcore. Songs like „Slaved Mind“ or the title song „Into Eternal Agony“ display a more dominant Latin American Death Metal impact the band opted for in the glorious tradition of old Peruvian Gods such as HADEZ, MORTUORIO or the Brazilian masters SARCOFAGO and HOLOCAUSTO. The stomping drums by Tonyn Destructor, hellish & hot Southern riffs of Roy Noizer spiced up with the powerful vocals of Manfred Beingolea (who was member between 1997 and 1999) are 101% in the style that is exclusive to the countries Southwards of North America. They do an homage of HADEZ with a cover of the immortal song „Avern's Goddess“. 

WHITE MARBLE VINYL LIMITED TO 400 COPIES

BLACK VINYL LIMITED TO 400 COPIES

The long awaited split LP between Polish progressive grinders ANTIGAMA and Swedish horror/prog rock masters ANIMA MORTE is unleashed!

The Polish quartet offers one new song and “Malcontento Popolare” cover song by Alessandro Alessandroni, famous multi-instrumentalist and film score maker from Italy. For those who are familiar with prolific discography of ANTIGAMA know it’s not the first time they pay homage to horror music. Nearly ten years ago the band recorded “Zombi” cover song by Italian progressive rock band GOBLIN. ANTIGAMA's side was recorded and mixed at JNS Studio, Warsaw, Poland with Paweł Grabowski late 2015/early 2016. Mastered by James Plotkin (O.L.D., REGURGITATION, ATOMSMASHER, KHANATE).

Here is what the guitarist Sebastian Rokicki says about this release: "Being the worshippers of the old Italian giallo/horror/library soundtracks, Karol/Selfmadegod Records and myself are proud to share new Antigama release with one of the most outstanding bands nowadays cultivating the old tradition of the genre: Anima Morte! Our side of the split will include the cover of Maestro Alessandro Alessandroni's "Malconento Popolare" and a brand new Antigama song "Brothers."

ANIMA MORTE is a Swedish cinematic instrumental horror group established in 2004. Their music is progressive rock / horror soundtrack / instrumental, continuing the legacy of bands and artists like Goblin, Fabio Frizzi, Bruno Nicolai, Stelvio Cipriani, Rick Wakeman, Ennio Morricone and the likes. With three full albums, two 7"EPs and contributions to various compilations this is going to be the first split 12"LP in the band's discography. The band recorded two songs especially for this release: one new original song and a cover of the theme from the 1977 movie 'Il Gatto Dagli Occhi Di Giada' (aka Watch Me When I Kill) by Trans Europa Express.

Here is what the Anima Morte founder Fredrik says about this release: "We have always loved to do unexpected collaborations and this one is no exception! It is a great example of how two seemingly different musical acts can come together and make cinematic sense. Anima Morte is very honored to be a part of this exclusive release with Antigama made reality on vinyl by Selfmadegod Records.”

The split is released in regular LP jacket with 5 postcards, flyer reproduction, sticker, and huge A1 poster! Strictly limited to 500 copies only, 100 on red wax and 400 on black wax. This unique record is supposed to be vinyl-only release and in the old fashioned way, this means no digital download included nor streaming available!

7th full length of these hardcore/punk veterans from Poland. For the first time on vinyl!

Gore is back on the map of extreme undergrand in a charming style. Canadian madness & Polish masters of gore. This split is really sick shit on both sides. Every fan of the classic Regurgitate and Dead Infection (Brain Corrosion era) must have it, it is not subject to any discussion.

After their highly praised first Demo, the German Death Metal band ARCHAIC THORN is ready to unleash their next release. It contains 5 new songs (1 Intro + 4 new tracks) of high-class Nihilistic Death Metal. All fans of bands like GRAVE MIASMA, HATESPAWN, NECROS CHRISTOS, old MORBID ANGEL and the like should definitely keep an eye on this band.

Ritualistic, apocalyptic noisemakers ATRIARCH are back with their fourth offering of mind-altering, doom-soaked, deathrock entitled Dead As Truth. Recorded and mixed by Greg Wilkinson at Earhammer Studios (Om, Graves At Sea, Vhol) and featuring artwork by Stevie Floyd (YOB, Dark Castle), Dead As Truth sees ATRIARCH venture deeper into the blackened abyss with haunting incantations, exotic drones, and crushing aural experimentations that boldly embrace death's cold heart. Fragments of post-punk, gothic doom, black metal, sludge, and noise complement the band's desolate universe and further supplement their most immediate and formidable release to date. ATRIARCH prescribe the order that there is but one truth and that is death.

The masters of grind n' roll return with a new masterpiece, bristling with blasts, riffs and incomprehensible screaming. 'Extinction Solution' is a masterclass in hook-laden, 'fun' grind, but do not mistake the term here to mean 'not filled with blast beats and ear shattering vocals'.

Clocking in at around 22 minutes long the Northampton three piece waste no time with overlong intro/outro sections or frilly atmosphere, ATROCITY EXHIBIT go straight for the jugular, with old school Napalm Death-esque slippery guitar riffs snuggled up neatly against rock and roll rhythms that would give Lemmy cause to grin ear to ear.

The album rolls through several themes and is really nicely bookended with short, rocking riffs which, while not being identical, share a thematic similarity. The album as a whole hangs together amazingly well, there is a real sense of care in the composition of these songs. Everything is super tight from the songwriting to Matt's ridiculously clean drum sound and performances. Tracks blur from blasting gang vocals and brain shredding trem picking riffs to building chord progressions to grooving Motorhead beats and moments of dreadlocked, crust infused glory fit to have the surliest Doom fan punching the air and stamping their feet.

This is a properly excellent extreme music release that will please all smelly crust and grind fans, a strong competitor for grind album of the year!! 

Vinyl version of the fourth full length from 1995 by legendary death metal band AUTOPSY!!

"Motherfucker is the word! What an absolute rager from beginning to end, but maybe not in the way you're thinking. Progressing rapidly on from where 2013's Consequences 10" left off, BACKSLIDER are a powerviolence band with an identity crisis, featuring plenty of totally rocking moments like a turbocharged Annihilation Time bolted onto joyously cheapshot noise-rock and stoner moments. The final track is their "Dopesmoker", clocking in at almost 8 minutes. The addition of a bassist has added more weight and nuance to proceedings, and the whole thing expertly skirts the line between being putting you in a very very bad mood and a very very good one."

Merciless, unrelenting grindcore from France with ex-members of BLOCKHEADS, DEPARTMENT OF CORRECTION and more. 11 minutes of fierce grindcore influenced by NASUM, PIG DESTROYER, ROTTEN SOUND, NAPALM DEATH, ANTIGAMA... A MUST HAVE!!!

Second full-length album from French BAKOUNINE is a D-Beat raw crust punk mayhem!

PURPLE/BLUE WAX

Highly anticipated fourth album of Italy's BARBARIAN! Since signing with HELLS HEADBANGERS in 2016, BARBARIAN have truly hit their stride. First came their third album, Cult of the Empty Grave, which found the power-trio in fiery form, taking all the rudiments of their first two albums and exploding the band out of the underground. Then, a year later, came a self-titled 7", which offered an even rowdier take on their now-trademark blackened traditional metal. It also saw them touring the United States for the first time, spreading their dark gospel to untouched heathen shores.

Now arrives the ever-aptly-titled To No God Shall I Kneel, arguably the grandest distillation of the BARBARIAN aesthetic yet. Still deadly committed to the eternal riddle of steel, BARBARIAN's sound continues to find a unique balance between the ancient and the fresh, but without once ever stinking of falseness or modernity. Timeless to the very end, To No God Shall I Kneel takes that characteristically sweat-drenched symbiosis of early Running Wild and '80s Manowar, grinds it through the gravel of classic Celtic Frost, and finishes it off the panache of likewise-classic Venom. If the critically acclaimed Cult of the Empty Grave eclipsed such a hypothesis, then To No God Shall I Kneel goes further into the realms of ballsy boisterousness, unapologetically OTT and Alpha at every turn, and simply takes no prisoners nor offers any safe spaces. Cult of the Empty Grave spelled it out with the track "Absolute Metal"; here, BARBARIAN tell you in no uncertain terms that you're now dealing with "Obtuse Metal." Wanna pose? Leave the hall!

With cover art courtesy of ACID WITCH's Shagrat, BARBARIAN continue to hail & kill, because To No God Shall I Kneel! 

Eastern Slovakia's based raw punk ROXOR vs. Bratislava death / crust BETON. Black wax w/ obi strip.

Vinyl reissue of the debut full length from 1990 of this legendary Chilean thrash metal band!

Sweden masters of thrashing GRINDCORE are finally back with the first album in over a decade! And it's crazier than ever!

Formed in Växjö in 1992, Birdflesh is one of the craziest and long lasting grindcore acts around. Their take on grindcore is filled with strong thrashy influences, wacky lyrics and a funny atmosphere overall. Over the years the band released a huge amount of music, consisting in 4 full lenght albums and countless Demos, Splits and EPs, but being so prolific has never been an issue for Birdflesh as their material was, and is, always above the bar. As they gained the status of “cult band” in the grincore scene, the live activity took the band on the greatest stages for extreme metal, such as Obscene Extreme Festival, Maryland Deathfest, Neurotic Deathfest and many more. There is nothing in this world like Birdflesh.

For fans of Macabre, Impetigo, Ghoul, Repulsion.

New and bloodthirsty label Unspeakable Axe Records has joined forces with crossover thrashers Birth A.D. to bring you the group's first full-length, I Blame You, scheduled for release on April 8th. Birth A.D. have been terrorizing their home state of Texas since 2008, dropped a tactical nuke of an EP (Stillbirth of a Nation) in 2009, and are now ready to leave the entire USA just a smoking crater with this highly anticipated debut. Full of punk attitude, thrash precision, and a whole lot of yelling, I Blame You is the rightful heir to great bands like D.R.I. and S.O.D., and gives exactly as much of a damn about what you think as those bands did. Birth A.D. is a well-oiled machine full of seasoned pros that have played live and in studio with many well-known bands .With famed thrash producer Alex Perialas behind the boards, they sound as assured as you'd expect given their formidable credentials.

I Blame You is the first release from Unspeakable Axe, a sub-label of the mighty Dark Descent Records, whose roster of death, doom and black metal has made it internationally known in just a few short years. Unspeakable Axe will complement their parent label with a more thrash-oriented approach that harkens back to the roots of extreme metal, and to the fluid transitions between the various sub-genres in their infant forms; before battle lines were drawn and rules were written and expected to be followed.